Saturday, January 27, 2007

MTAkonf entry

2007.01.20: Hungarian Communication Science Society conference at the Hungarian Academy of Sciences. "Speakers address the new problems of media research, address the cultural perspectives of communication theory and assess the possible roles of new media." -- says the invitation. Most speakers struggled to find a relevant paradigm for the problem of media regulation, or at least to prove that their particular discipline is most suitable for it. The main conflict escalated between communication theory and media studies.


I cannot comment on the 60 minute opening speech by Aczél Petra ("The Death of Thinking is Science? Possible Challanges for Communication and Media Research") because I was participating in a very interesting sleeping session at the time. However, she was so professional that she distributed a several page print-out of the skeleton of the speech. Because paper documents are difficult to feed back into computers I promptly lost it but if somebody recovers me the document or its URL I will complete this log.


Rákai Orsolya ("Face-to-face -- is it too didactic? The Space and Possibilities of the 'Media Subject'") presented a perfect prologue for the conference: starting with Habermas (where we all did), she gave a review of its criticism, stating at the end that the concept of "public sphere" as a locus ratio has been severely compromised. On one hand, the border is blurred between public and private, the objective of the media machine penetrating into our private parts; while on the other hand additional powers such as the family and the church also wash our brains in their praying mills. Free market is as big a paradox as it ever was, and the Internet provides only the image of presence and the virtuality of action. "Interactivity is realised accoring to the medium's own laws." We are not as smart/rational as we were once (according to Habermas), not the least because we use machines to maintain discourse (according to the speaker).
Concluding, the speaker presented the audience with the dire depiction of the "dynamics of the ego and the agent": we watch television to inform ourselves about what happens and not to act upon the changes in our world. Therefore, the media cannot mobilise people even if the destiny of the Earth is at stake. The revolution will not be televised.


Audio log of the speech by Rákai Orsolya (MP3 64kbps/10.5MB mono):

Click to download audio recording.


Gálik Mihály ("The European level regulation of media concentration") gave an anti-law-history speech which detailed how in the last 40 years there has been NO European level regulation of media concentration (anti-trust regulation). The didactically well constructed speech left in the dark the exact names of actors and their proposals -- which will be revealed in the written version of the paper, but at least the audience was able to follow the long and complicated story. The Council of Europe deals with the question since 1976, for example, organising fora, issuing reports and research documents, drafting laws and making a fuss. The European Union is doing likewise, and in numerous cases they almost made a European level regulation. All in all the story is a dramatic one of a "zealous struggle", where politicians had to engage a single yet too powerful enemy: their own incompetence -- and they lost pitifully. The speech ended with the note that just yesterday the European Union declared again that it will make a European level regulation of media concentration -- "but seeing is believing." It was an admirable lecture in ungovernmentability -- my favourite topic! On the other hand, I was quite sorry that the speaker failed to address the structural causes of the impotency of (EU) politicians.


Audio log of the speech by Gálik Mihály (MP3 64kbps/9.6MB mono):

Click to download audio recording.


Polyák Gábor ("Regulating the diversity of digital media") was a non-descript research fellow with a non-descript Power Point Presentation. I have long thought that a PPP easily imposes a certain structure to a presentation which makes it overwhelmingly non-descript, and that non-descript people are especially prone to the fallacy. The speaker presented the main tools of regulation and their position in Hungarian law, but even that in a level of detail that reminds one of the secondary school. At the end the basics were set up but no message was articulated, so that the speech stayed an introduction without an argument.


Gagyi Ági ("On regulatedness") argued for a heteogeneous logic in the manner of Gibson: "We have no future because the present is too volatile. We have only risk management. The spinning of the given moments's scenarios. Pattern Recognition". What follows from this is that "the very act of selecting a discipline has heuristic value." The objective is not to decide a priori about the relevance of this or that discipline but to find logics that are really there in actual everyday reality. Oftentimes these lgoics cut through the limits of disciplines, and even if we consider media a "subsystem of society" we build on the presupposition that it can be pulled out like a module of a computer and contemplated/manipulated on its own. Obviously the whole audience felt the power of cyberpunk imagery when the speaker explained how wires are hanging out of the sides of such a module, expressing the fact that it does not have a self-contained logic but can only be interpreted in context. Even if regulation requires such clear-cut borders when the wires are removed, science should not falter facing the challange of the wires.

There followed two example stories (called "anecdotical evidence" in social science), forming the middle part of the speech on the hungarian immigration office (as an example of conflict) and the romanian railway (as an example of harmonious operation). Both examples highlighted the primacy of practice over theory and especially local practices and local knowledge as opposed to the universal, reminding me of days past studying cultural anthropology and thinking that the "truth is out there" on the field and sociologists know nothing, but we have to walk out into the unknown armed with all the eclectic intellectual weaponry of science.

The application of these propositions to the specific topic of the conference -- media regulation -- followed: (a.) there is a wide-spread moral conviction in society that the representation of violence is bad; (b.) there is rather sound scientific evidence showing that the representation of violence is NOT bad; (c.) the latter two do not interfere with each other being part of different spheres; (d.) media regulation seeks to follow logic a. unheeding logic b. because of logic c.

Thus, in terms of the debate between communication theory vs. media theory: general conclusions can be but meta-conclusions about the logic of logics, while actual research should determine the most useful theoretical framework on a case-by-case basis. While starting the speech with extreme feebleness ("I will say nothing knew and you already know this anyway...") the speaker could soon grasp the interest of the audience by bringing discourse back down to earth and coming up on the other side with practical conlusions for theoretical work.


Audio log of the speech by Gagyi Ági (MP3 64kbps/6.2MB mono):

Click to download audio recording.


György Péter ("Via una: Communication and Media Theory in a Culture Historical Perspective") gave one of his characteristic speeched which bear the mark of a genius and display his self-proclaimed intellectual superiority. He gave an overview of ideas overlayed on the history of the twentieth century to arrive to his vision of "how things are". In the meantime he made all the effort to incorporate all the intellectual trends and buzzwords of the moment, notwithstanding YouTube. He also took as great care as usual to exercise his brand of intellectual fascism by quoting a few authors who were completely unkown to the target audience, just so that everybody knows his or her place. The most astounding feature of the speech was its elegant (post-)Hegelianism.

The turning point in the story was 1989, whereby "the political anthropological conditions of communication theory" collapsed, because "technical globalisation without universalism" triumphed on the planet while the "global communication and mediation technologies"

gained ground. Cold war humanity shared an ethos of universality -- for example both powers expressed themselves in the language of World Fairs -- which "ceased to be evident" after the Fall (of the Berlin Wall). Because the term postmodern is not fashionable any more, the speech figured asynchronicity as the antithesis of modernity, contrasted with the universalist synchronicity which ruled the better part of the twentieth century. Welcome to post-histoire! The consequences? "Modernity is history -- therefore communication theory is impossible, or impossible to distinguish from media research." But it would not have been a how-things-are-fuckers speech if that would have been the punchline! "The anthropology of universality is not evident any more. What has been the precondition of explanation before, is an avantgarde requisite today -- or, if you prefer, an ethical question." Ha!

Audio log of the speech by György Péter (MP3 64kbps/7.3MB mono):

Click to download audio recording.


Molnár Csilla ("Time, being, speed in communication technologies") personified the stock-speaker of humanities conferences who seem to read a text produced by a dadaist machine on steroids which was fed the relevant literature. It seems that Big Blue can always win over Kasparov, that is any arena of scientific discourse, even the most prestigious, can be compromised by this code or infiltrated by these droids. Whereas I successfully exercised my low-level pattern recognition capabilities by recognising motives such as the repercussions of Heidegger's Being and Time, the idea of the history of reading and the escalating social impact of successive mediums in history, all along I was unable to cipher the trace of thougth by which any manner of conclusion could have been reached. I recommend performing a Voight-Kampff test.


Zsélyi Ferenc ("Communication or Mediation? The Unconscious Medialisation of the Arbitrarily Communicating Sign") performed a similar mumbo-jumbo, only with some more twists and turns. While the previous speaker conformed to the mainstream vocabulary in order to fit in, this speaker expressed rebel spirit by taking that conformity to the extreme. Therefore the audience could observe the sharp and fast contrast between unintentional naive dadaism and reflective cynical satire. Stylistically this speech could have been a deconstructionist one with all the pleasure of the text coupled with a deep-rooting destabilising argument, but it was not. Parody of the language of the discourse worked pretty well, sending the audience laughing every now and then, but only at a superficial level. Unfortunately there was a plain conclusion cloaked in the sophisticated garments of jest(ure): "communication theory is the meta-language of media theory".

By-and-larges, the speaker appeared to be a research monk -- using technicus termini (that is dead terms) as seriously as anybody in the middle ages -- who, outraged by the current state of affairs (cf. György's fresco of the apocalypse nows), could only give its minority report in the majority language dressed as court clown.


Blaskó Ágnes ("Universal Subculture -- Analysis of a Communicational Situation from a Media Theory Perspective") begun with the assertion that she is not willing to take sides in the battle between media and communication theory. Her speech focused on the "role of science in university which has changed function". The speech begun with an apocalyptic vision of science loosing its mainstream status and falling back to become a mere subculture. The very worst nightmare of the professor, but a sight which could be contemplated at a conference from the safety of the armchairs of the National Academy of Sciences, as Aristotle would assert. The teacher at a seminar is faced with an audience which is not (yet) part of the scientific subculture. As a ritual of initation they have to be taught the code and also convinced of its legitimity. However, that's merely possible. Reformist solutions as dropping the code in favour of an everyday language, or reproducing legitimity by using the code to manipulate hyped/cool topics give up an essential element of the scientific subculture and therefore fail to reproduce it. Therefore, in the final analysis the teacher comes across as "a pathetic looser (hackers would say lamer) fighting for its group (hackers would say crew)".

The speaker had this air of agressive masculine pragmatism with a twist of stylish-trendy feminimity which was almost shocking. As Gagyi Ági, she spoke of what she saw in her own life (as a university teacher) and drew the theoretical conclusions. The best of the new generation come to the conference room as action heroes, with the dirt of hands-on experience on their trousers (or skirts) and the streetwise of local practices in their heads. We have to cast the elders out of their shady ivory towers of theory to meet the bright light of reality.


(The speeches are in Order Of Appearance. Observation: luckily, it was no name dropping contest.)

Tuesday, November 21, 2006

Psy-tech@ELTE


Click here to download the video! (78MB Quicktime)

Andor of psy-tech.com fame has given a presentation on party visuals and their (pre)history at György Péter's Contemporary Popular Culture class. He made it clear that the interest in blending and interfacing audible and visual patterns has always been there in art history at least from the Rennaisance. Various light-organs were constructed but the experiments never really took off. It was left to the avant-garde guru Marcel Duchamp to lay down the basics of psychedelic party visuals. He built original spiral-swirling machines and filmed them in action to create what he called "Anemic Cinema". Andor identified three trends in audiovisual cross-breeding experiments: the purely technical, the merely artistic and the "human" which combines technical expertise with sensitivity to the cognitive-spiritual functions of the human being.

Friday, October 13, 2006

Zoe's Place


Click here to download the video!

That's a lovely hobbit house where i stayed last night... and also a HQ for transmission organisation.

Thursday, October 12, 2006

Context

i am here in London between october 10th-22nd for the retransmission event. currently i am staying at the Rampart Social Centre. The conference will have a nonstop hacklab here and workshops at the Limehouse, plus ticketed events at the BFI South Bank building. i try to post some more videos as we go along, for you to see what is it like to be maxigas. Currently, i am enjoying it.. these are empowering spaces with all the chaos around and the rough setups and solutions everywhere. The Aesthetics of the Found Object William Gibson calls it in All Tomorrow's Parties. :)

Wednesday, October 11, 2006

Rampart stairs


Click here to download the video!

First floor: event room and kitchen, second floor: crash space and hall, third floor: office and radio room, server space, clothes workshop, etc. Of course i come from the top so it's the other way around in the video.. :)

Rampart old server hideout


Click here to download the video!

This is where they hid the server in Rampart for security reasons until they found out it's overheating under the floor.. :)

Rampart Hall

Rampart crash space panorama


Click here to download the video!

Rampart Social Centre crash space where is am staying at the moment -- that's my stuff in picture! i came for the re:transmission conference.

Rampart


Click here to download the video!

Rampart Social Centre offices with Andy Warhol design on the wall and me in the mirror.

Sunday, December 25, 2005

Xmas greeting


Click here to view video!



My family sends your Xmas greetings! In response to Steven Loy.. :)

iSight 4 Xmas!

My father got a synthetizer!
Click here to view the video!


i got an iSight for Xmas! my evil plans are coming to an end! this is my first-ever vlog entry - hastily put together without knowledge of the various setups, but showing some potential.. as ever. :P About my father's new synthetiser and some of my family. A homage. A thank-you! :)

MAXIGAS TAKES OVER THE WORLD!

..was the old title of this blog but now that i really do i decided to change it to something not that self-evident.. :)

Great news: staring supa dupa Indymedia Radio Budapest radioshow on Tilos Radio soon, and in the meantime starting indymedia podcasting service - a free open audio publishing feed - maybe the first in the genre! :)

Meanshile got an iSight for Xmas so video is coming here too..

i am trying to figure out file formats and syndication networks now..

the revolution will not be televised!

Revenge sweet revenge

i did some pretty awful things to piroch kata and i will continue the campaign if i have time - and of course she doesn't know my negative influence on her life so far, but i will find the moment when she is most vulnerable and tell her i ruined her.. haha! >D No one can fuck with me like that!

Thursday, June 23, 2005

profecia

En egy beketuro, szelid ember vagyok. Eletemben ketszer jottem ki a sodrombol kiserletkeppen, es egyszer ugy igazan. Ez utobbi ugy hat eve volt. Piroch Kata volt az, aki megint tullepett ezen a hataron. Azota haragosan nezek ra, es remegni kezdek, ha meglatom. Alig tudom turtoztetni magam, hogy meg ne fojtsam.

Homo Sacer a szent ember, aki megfosztatik vagyonatol, hajlekatol, es szamuzetik az emberisegbol. A Szent es az Ember kozott vandorol, egy jellel a homlokan. Egyeseknel a jel azt jelenti, hogy nem olhetik meg (pl. Kain), masoknal (pl. egyes eretnekek), hogy barki buntetlenul megolheti - hiszen nem szamit embernek. Katat nem veszem emberszamba, szamomra o egy demon.

Vegul nem ezt a levelet ragasztottam az ajtajara:

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Kiuzetes az emberisegbol - Homo Sacer

Ha igy teszel, az anyak felzabaljak a gyermekeiket, a testverek egymas ellen fordulnak, es elerkezik az emberiseg alkonya. Amikor igy cselekedsz, az emberi kozossegek felbomlanak, es nem lesz, aki egy korty vizet nyujtson, amikor a sivatagban bolyongsz. Itt veget er a tarsadalmi szerzodes.

A Masik vegtelenul sebezheto, viszont igy buneid is vegtelen nagyok lehetnek. Minden visszatalal hozzad, es a kulso urben lesz siras es a fogaknak csikorgatasa.

Rajtad a jel, ha mashol nem, a szememben mindig latni fogod.

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Egy penteken majd megorulok, es igazsagot szolgaltatok mindenkinek, mint Batman. :D

Sunday, March 06, 2005

Meredith Monk

i just realised that not only a Meredith Monk concert is coming @ Trafo, but Peter Greenaway has made a documentary on Monk within his 4 American Composers series (Robert Ashley was another and John Cage as well, dunnow the 4th.)

i'll get it sometime, but just after the BFI DVDs of his Early Shorts and the TLS series. :)

Saturday, February 26, 2005

Sartre on writers

in Hungarian, native language of Chekoslovakia:

"De legfokeppen, orok fogyasztokent egy termelo tarsadalomban, egy parazita osztaly parazitajakent, pontosan ugy banik a penzzel, mint egy eloskodo. Nem /keresi meg/, mert munkaja es annak ellenszolgaltatasa kozott nincs megfeleles: csupan /elkolti/ a penzt. Tehat, meg ha szegeny is luxusban el."

there is no justice on planet Earth

http://hi.zpok.hu/maxigas/

Sunday, December 26, 2004

My evil plan has come to an end!

i've a new personal site! so far it was only porno pictures of my lost girlfriend (if you haven't seen it so far, i won't give you the URL now :P), but now it's more useful data - research papers and university notes and my little design portfolio and some "me" sites like Horizon Research Institute and Indymedia.hu. It's a great enterprise but i found a very quite and cool format that's easy to update. I'd like to stick to having all the stuff on one page, coz that's sooo efficient. =j

Wednesday, April 14, 2004

jon: maxigas.org!

ma megint basztunk

Saturday, April 10, 2004

olovasás után

We fucked????! Basztunk???? Te disznó! Shame on you! Ilyet irni! Na látod ezért utálom ezt az egész internetes napló dolgot. Pózolsz! Basztunk mi? Baszás közben pedig kedves suttogások és élhetetlen gyönyörökben fürödtük. We made love! És ez akkor is igy van, ha kifelé játszod a soviniszta állatot, a menő srácot, aki baszik a puncijával! Ennek az egésznek semmi köze a naplóhoz. A naplót az ember magának irja, hogy tanuságul szolgáljon az élet későbbi szakaszaiban. Ami itt folyik csupán pózolás, és ez szükségszerű, ha az ember másoknak ir. Félre ne érts, ha intellektuális tapasztalatidat szeretnéd ilyen formában közzé tenni az más, de semmi szükség ilyen álőszinte, alakoskodó nyálverésre.
Jobban tennéd, ha inkább az iróniáról folytatott eszmecserénkről irnál, és nem a szexuális életünket tárgyalnád. Szerintem alapvető önellentmondásba keveredsz, amikor tagadod azt a nagyon is belátható tételt, hogy az irónia lényege az állitás mögött rejtőző ellentét, tehát az állitás által képviselt érték elértéktelenitése. De nem szeretnék ezen a fórumon vitatkozni. Nem tartom valószinűnek, hogy mégegyszer irok ide, kérlek ne is kérd tőlem. Azért szeretlek kis muslincá. :)

Niké

DP herceg

Kedvesem Maxigas!
Ez az egész blogosdi ellenszenves nekem,, ezért kérlek ne kényszerits rá, hogy irjak.

Wednesday, April 07, 2004

Le Journal Mytholgique 1.

Alors, Pygmalion vient aussi, pour contribuer le Blog de Maxigas...

Hier, les reflexions de Goethe sur Aristotle: j'aime tant son nonchalance et son maitrise de langage avec lequel il écrit sur ces choses si "sérieux"... quelques pages de Lautréamont en francais: quel ardeur, quel fureur! Son langage est plus difficile que celui de Proust, je crois.

J'ai commencé le quatrieme sonnet dans ma Couronne de sonnets, il s'agit Le Journal de Dédale, un cycle des sonnets mythologiques, comme un allegorie de l'Artisan et sans doute l'Artiste aussi.

C'est interessant comment Nike et Maxigas persistent a couper la meme branche sur lequel ils sont situés... toujours les petits querelles, comme dans un drame sentimentaliste - ils sont un part Manon Lescaut et Des Grieux (parfois Manon, c'est mon frere et pas Nike), un part Liaisons Dangereux.

Je fume trop. Je lis trop. Je plonge dans les plaisirs de l'intellectuel... dans les meilleurs moments, mon frere et moi, nous sommes comme les freres Schlegel - et Nike, comme la Muse de l'Idealisme Allemand.

BigBörzsöny Chronicles 1.

Niké the delicate little angel is cutting wood in da yard while the boys are cookin dinne'.. She managed to ripple some bucketfull of wood while yesterda i hacked at a single trunk for half an our n gave up Xhausted.

:o

We had the most delicate dinner, fryed eggs and mustles, corn, mustard, mayonesette, dry red wine. Afterwards i finished Diderot's Paradox of the Player. A treatise in a conversational form, rather nice, though not the multi-faceted philosophy i am all over 4.

N came over Monday eve and brought about some more books (did i mention we're here to read the stuff for the Aesthetix Xam?) n some sligtly slimy soaplike sedatives. There's a soap which is a cream for massage, there's a soap which is a dezodor, there's one which makes bubblebath, and one for sexual sliminess (this 1 heart shaped), and even a soap soap! So it's fun all over.

Yesterda we bathed in bubblebath and got little fishskin, glittering everywhere. We fucked in the bath lying, on our knees, and standing, in various positions. Afterwards i sucked her vagina and she got her second orgasm from man ever. Heavenly joy, for i was that 1st 1 2.. =j

Sunday, April 04, 2004

webcam online



Live from BigBörzsöny 4 our parents n my grrrlfriend! 1 our webcam cast. i've never used the gadget so far, the FTP started working with the eights program i sampled: the winner is NetSnap. The HTML i wrote myself, not too reliable i don't know why, gotta figure.. cOOl! =D

Cartoon focus

Why's that i'm attracted to cartoon figures as my alter-egos? Last night i pondered about wheter to adapt KEEN as my nick instead of maxigas. Well, maxigas is a cartoon char 2, from "Lost Worlds", a french cartoon..

I do feel myself a charicature most of the times, just an example of a passion. A cartoon character is funny yet funnily determined. I believe in total determination and the non-existence of free will. So that suits me. =j

Commander Keen is Cool!



Finished Keen4 today, started5, i think tomorrow i'll finish that 1 too! I wanna play all the 7 all through! When i was a kid, i finished keen4, it seemed a long time to do it. But now, it was a snap! It's sooo cOOl entertainment, from the creators of DOOM and QUAKE.. =o

Saturday, April 03, 2004

hi hajni =o

(A)

Anarchy: as we have made elaborate attempts throughout history to establish a greater coordination in an abstract entity which would transform all deeds into infinite goodness and salvation, we should start to take on that very responsibility and realise that abstract entity in our concrete subjects, so that the transfiguration of the infinite goodness took place by way of human initiation, not by divine law, which seems to be there, but absent. On the other hand, it is that very law which we should realise in our lives, which means that this teaching is pretty much salvational and Christian. In conclusion, We Shall All Behave Well.

Dialectix of a lifestyle

Two useless passions of mine: erotix n politix. One is not productive at all, the other is absolutely productive. Elaborate.

Peace prep

I am going to Hero's Square to take part in an action. With a cluster of other people we will form a living peace sign strecthing from one end of the square to another. What is the purpose of this? Does it have any associations with the Nazi presentations and practices I've seen on Riefenstahl's shots? Or does it emphasises the radical passivity of pacifism in the manner of Blanchot? A more suitable way for a pacifist demonstration than any? Ironically, the whole affair is better coordinated that a simply street demo, to the point that it begins to remind me of a military operation. Are there any factors that save this demo from such a charge? Perhaps the fact of openness: the flash piece I've seen lately on the website of the demo (www.bekejel.org), where you can see how many people have already been gathered for the action. But that's slight remedy. Secondly, there has been open organising forums where decisions took place. Unfortunately, I don't know anything more about them. What does that mean? I know about them from Indymedia. Calls were published at Indymedia. On the other hand, not memos. I think that's acceptable. Again, after all, this does not change the fact that I have the feeling of taking part in a military operation. Which is not necessarily bad. Perhaps anti-militarism should in fact follow the strategies of militarism, taking advantage of a logic of paradoxes.

Let's take up once again the theme of interpreting the action: I still think that the very stillness of the participants is the principal point which should be taken into consideration. On the other hand this means that the aesthetic success of the action depends on that stillness of the participants. In principle they argue for negative action: they protest against some moves, and propose the radical alternative of reluctance. Little importance has the fact that they call for a public denounciation of violent actions by politicans, which is a positive move, as this does again only emphasise positively the negativity of the stance taken towards the given issues of violent action.

Conversely, will the political success of the action depend on the aesthetic success? Will the aforementioned supposed stillness of the actors (if it is the proper noun) contribute to the marketing value of the event? Perhaps so.

...

Sunday, March 21, 2004

The bloody rabbit attack pix.





Wow, photoshop magix n the power of IT.